Art in Nature

What Exactly is Fine Art Photography?

August 5, 2017

     People frequently ask me what exactly is fine art photography?  Before I answer, I usually take a big breath and brace myself to answer the question in the time it takes to ride a few floors in an elevator as they usually expect a quick answer.  And, despite my apprehension to answering their question, I have come to realize that most good answers are the ones that are simple and direct. Hence, I begin by clarifying that fine art photography does indeed have objective criteria despite falling in the subjective and vast realm of art. 

     The principal and underlying criteria that distinguishes fine art photography from other fields in photography is that fine art photography is not about digitally recording a subject. Using a camera to document what exactly appears in front of the photographer usually falls under the category of photo-journalism and is frequently found in publications that feature images of a scene as it exactly existed at a precise moment in time.  

     Fine art photography, on the other hand, is first and foremost about the artist.  It is not about capturing what the camera sees but instead is about capturing what the artist envisions.  In fine art photography, therefore, the artist uses the camera as one more tool to create a work of art. The camera is used to make an art piece that reveals the vision of the artist and makes a statement of that vision rather than documenting the subject before the lens.   For example, Georgia O'Keeffe's famous desert paintings are an expression of her vision of the New Mexico landscape; on the other hand, if a dozen photographers with tripods set their settings to the required exposure after light-metering and took an image of the landscape next to Mrs. O'Keeffe's easel, the results would be images that would have recorded the scene but not have presented the artistic statement required of a fine art photograph.  Hence, a fine art photograph must contain elements of control similar to the controls Mrs. O'Keeffe and all artists use in making an art piece. Ansel Adams' expressed it best in the quote below:

Art implies control of reality, for reality itself possesses no sense of the aesthetic. Photography becomes art when certain controls are applied.
— Ansel Adams

     So, a fine art photograph must go beyond the literal representation of a scene or subject.  It must deeply express the feelings and vision of the photographer and clearly reveal that it was created by an artist and not by just the camera. It must be clear that it involved an original, deliberate creation and that every aspect of making the photograph in the field and in the photographer's post-processing digital studio, including the printing, are an individual expression from within the artist. Below are examples of four fine art photographs which I recently completed: 1. Humpback - composed in San Juan Islands, WA; 2. Bold Coast - near Bar Harbor, ME (Honorable Mention, 2016 International Photography Awards); 3. Canyon Spires, WY; 4. Iguana Skin in Breeding Colors - (Winner of Art Wolfe, Inc.'s Photography as Art Contest).

Searching for Shadows

October 1, 2016

     I have always been interested in shadows, especially watching how they move and envelop light.  The ever-changing lines, angles, and shapes they form and how they penetrate into natural textures like rocks, mountains, and forests are surreal to explore.  I also like to search for wildlife in shadows and make photographs of their shadows in motion.  Here is an image I made as shadows quickly raced across the valley beneath Longs Peak, CO., a great climbing face. 

 Shadow Kiss, Longs Peak, CO  ©Brian Rivera Uncapher

Shadow Kiss, Longs Peak, CO

©Brian Rivera Uncapher

The Melody of Motion in Photography

August 15, 2016

     Showing motion and speed in images is a great way to enhance the art of photography.  Ernst Haas, one of the first highly acclaimed photographers to utilize this technique, expressed his thoughts on this art form in the following passage.

The basic idea was to liberate myself from this old concept and arrive at an image in which the spectator could view the beauty of the fourth dimension, which lies much more between moments than within a moment.
— Ernst Haas

     Haas not only changed color photography forever but also introduced the art world to the melody of motion in still photography.  Today, this form of photography is often referred to as panning, and, as a nature and wildlife photographer, I use it not only to express the mood, motion, and mindfulness of landscapes but also to reveal the emotional and exhilarating action of wildlife. 

Antelope Pronghorn by Brian Rivera Uncapher